Archive for the tag 'Robert Anderson'

I Write Like…Who???

Paul July 17th, 2010

Having read about the new website “I Write Like” (http://iwl.me/), which matches samples of one’s own prose with those of famous authors, I decided to have the site analyze some of the longer entries from my “memoir in flux,” and here are the results.

My recollection of the one time I met Arthur Miller was likened to the prose of Vladimir Nabokov. This was very flattering indeed.  I’ve read and admired everything Nabokov has ever written, most especially the novel Lolita; and, of course, his wondrous autobiography, Speak, Memory!

My account of the brief encounter I had with Kurt Vonnegut was said to be reminiscent of none other than…Kurt Vonnegut!  I’m not sure what to think about this comparison, since I am definitely not a Vonnegut fan, except perhaps for a couple of short pieces in Welcome to the Monkey House.

My story about Robert Anderson’s reply to a letter I wrote him when I was a teenager in the Philippines, asking him about possible interpretations of  his play Tea and Sympathy, was tagged as something William Gibson might have written.  Only problem is, there are at least two William Gibsons who are writers.  There’s William Gibson, the cyberpunk novelist; and there’s William Gibson, the playwright who wrote The Miracle Worker.  Surely, it must be the latter, because I’ve seen many of his plays, and because I know the former only by reputation.

One of my many entries about Sarah Palin was decoded and identified with Dan Brown, whom I’ve never read.  I did see the movie adaptation of The Da Vinci Code, which bored me to death, so I’m baffled by the link.  But, now that I’m thinking about it, I do see some similarity between Sarah Palin’s self-satisfied smirk of a smile with that of Mona Lisa. I may be the only person in the world who thinks that Ms. Lisa looks like a balding, overweight man in drag.  I’m sure this is what Sarah Palin will look like after the 2012 election.

My retelling of what happened the night I got the long-distance telephone call from Manila that my father had died, was, to my surprise, compared to the work of Stephen King.  In truth, though, my father did have a dog once who had rabies and was Cujo-like before it had to be put down.  And, I do like Stand by Me–the novel, the movie adaptation with River Phoenix, and also the song written and originally performed by  Ben E. King.

I tried three more entries from my website—one about my mother’s laughter, and two about my various encounters with William S. Burroughs.  Remarkably, all three entries identified me as another David Foster Wallace. Unfortunately, I had no idea who David Foster Wallace was, nor what he might have written. So I looked him up on the internet.

It turns out that David Foster Wallace was a novelist, short story writer, and essayist who was also a creative writing professor at Pomona College in Claremont, California.  He was the recipient of a John D. and Catherine T. MacArthur Foundation Fellowship.  The Los Angeles Times named him “one of the most influential and innovative writers of the last twenty years,” and his 1996 novel Infinite Jest was included by Time magazine in its All-Time 100 Greatest Novels list (covering the period 1923-2006).

This is great.  It’ll give me a good excuse to catch up on contemporary fiction. I’ve been immersed too long in theatre and dramatic literature.

By way of trivia, I also learned that David Foster Wallace was close to his two dogs, Bella and Warner, and that he had talked frequently about opening a dog shelter.  His friends said that “he had a special predilection for dogs who had been abused and were unlikely to find other owners who were going to be patient enough for them”

It gets better and better.  I really like this guy.  I’m going to buy and read all his books, see if we really view life and approach writing the same way. And then, suddenly, his name rang a bell.

According to a September 14, 2008 article in The New York Times, David Foster Wallace “died on Friday at his home in Claremont, Calif.  He was 46.  A spokeswoman for the Claremont police said Mr. Wallace’s wife, Karen Green, returned home to find that her husband had hanged himself. Mr. Wallace’s father, James Donald Wallace, said in an interview on Sunday that his son had been severely depressed for a number of months.”

Oh, God.  Now I’m depressed.

My Robert Anderson Story

Paul March 8th, 2010

Robert Anderson died of pneumonia at his home in Manhattan on February 9, 2009.  Because the 91-year-old playwright had also been suffering from Alzheimer’s disease for seven years prior to his death, I feel compelled, now more than ever, to share a personal anecdote about him before it too slips from my memory.

Years ago, when I was a teenager in Manila, my friends and I saw TEA AND SYMPATHY, a movie based on the play by Robert Anderson, featuring Deborah Kerr as a sympathetic older woman who’s running a dormitory in a boys’ school in New England, and John Kerr as one of the “sensitive” boys in the dorm.  At the end of the movie, because she feels sorry for the boy after he is suspected of having homosexual tendencies, Deborah Kerr goes into the boy’s bedroom and decides to help him disprove what doubts he might have about his own sexuality. She sits on his bed, begins to unbutton her blouse, takes his hands and guides them towards her opened blouse, and utters a line full of enigmatic pauses as the movie ends. 

My friends and I argued heatedly about those enigmatic pauses, so we found a copy of the script.  In the published text of the play on which the movie was based, this is how the line appears:  “Years from now—when you talk about this—and you will—be kind.”  My friends and I continued to argue about the interpretation of those pauses.  Some thought she was gently asking him to forgive her in the future for what she’s doing now:  “Years from now, when you talk about this, at that time, I beg you to please be kind.”  Others thought she was being completely realistic, and that the line ought to be read sardonically:  “Years from now, when you talk about this, and I have no doubt that you WILL talk and boast about this, when this happens, please try to be kind.”

And so, back in 1960, I took it upon myself to write Robert Anderson, care of his publisher in New York, to ask him which of these two interpretation he had intended when he wrote the line.  I never really expected to hear from him but, weeks later—lo and behold!—he wrote me back.  Although I no longer have the letter, even now, I remember how Robert Anderson settled our argument fifty years ago.  “Both interpretations are correct,” he wrote. “If you thought I intended it, then I must have.” 

In the early 1980s, when I actually met Robert Anderson at a function sponsored by the Dramatists Guild in New York, I told him this story.  His eyes lit up and he said, “Yes, I remember that letter from the Philippines.” 

I was astonished.  “You do?  Seriously, you do?” 

“Yes, of course.  It’s not everyday I get such intelligent letters, and from fans so young, in the Philippines!”

Another decade later, when I saw Robert Anderson again, in 1994, at the William Inge Festival in Independence, KS, it was he who came up to me this time, and reminded me about that letter which I had written him all those years ago.  It was kind of him to remember, and it now makes me sad that these sort of memories were being erased from his remarkable mind the last seven years of his life. 

It is my hope that, years from now—when my own time comes, if anyone talks about me—and they will—be kind.

Empty Chairs at Empty Tables

Paul November 2nd, 2009

It has been a while since I’ve updated this section of the website.  The plan, originally, was to pay tribute properly to friends and colleagues who have contributed to my own personal growth, not only as a writer but also as a human being. The list seems to grow longer every time I wake up in the morning.  Sadly, there are just not enough hours in a day for me to write and share personal stories about each and every one of them, many of whom I continue to miss fiercely, some on a daily basis.

I hope to retire soon from teaching, and will have more time to devote to these absences in my life.  Meanwhile, I am naming this entry after Jim Erdahl’s favorite song from Les Miserables, his favorite musical, which I am glad we were able to see together on Broadway before he died.  My friends…my friendsI see them all, taking their places again, one by one, the way they did in years gone by, when there were no “Empty Chairs at Empty Tables.”

My friends…my friendsRobert Anderson, Sam Anderson, Nobleza Asuncion-Lande, Lyndsay Boynton, William Burroughs, Tony Cius, Dick Colyer, Jack Davidson, Carolyn Doty, Victorio Edades, Carroll Edwards, Jim Erdahl, Bob Findlay, Jean Gagen, Elaine Goodman, James Gowen, Ed Grier, Chez Haehl, Dennis Helm, Bud Hirsch, William Inge, Judith Joseph, Bob Kahle, Paul Kendall, Eartha Kitt, Mark Knapp, Clay Kappelman, Glenn Kappelman, Tom Klavercamp, Joseph Kuo, Carl Lande, Chuck Lown, Arthur Miller, Kaye Miller, Fusa Moos, Jim Pearce, Terry Moore, Charlie Oldfather, Maura Theresa Brennan Piekalkiewicz, Shirley Rea, John Roderick, Ed Ruhe, Amby Saricks, Jim Seaver, Ken Smith, Eunice Ebert-Stallworth, Ilse Steinhardt, Andrew Tsubaki, Anne Turner, Jane Van Meter, Grace Wan, Josh Waters, George Wedge, Max Whitson, Theresa Windheuser, Ed Wolfe.